{"id":462,"date":"2014-09-21T14:39:18","date_gmt":"2014-09-21T19:39:18","guid":{"rendered":"http:\/\/reviewordie.wordpress.com\/?p=462"},"modified":"2024-02-09T18:22:58","modified_gmt":"2024-02-09T18:22:58","slug":"showing-off-the-shelves","status":"publish","type":"post","link":"https:\/\/cmykavenger.com\/index.php\/2014\/09\/21\/showing-off-the-shelves\/","title":{"rendered":"Showing off the Shelves"},"content":{"rendered":"\n

Comics have been a part of my life since I was young. I learned the proper way to read a Silver Age comic book (soap, hot water, dry your hands, find a clean space, don’t bend the cover back, dog-ear nothing, the grading system works like this and I only want you handling Fine Minus or less, and here’s how we keep reversible tape from getting on the cover…), I learned how to follow an ongoing plot from \u201cSonic the Hedgehog\u201d, I learned what the concept of sarcasm was from \u201cGarfield\u201d, and that’s all before the age of eight.<\/span><\/p>\n\n\n\n

The 90s weren’t a kind time for comics aimed at kids, at least not with the superhero material I liked to read. I busied myself with the DC and Marvel’s animated projects, anime, and my passion for television, but comics were always important to me. Discovering \u201cCalvin and Hobbes\u201d from trade paperbacks at a relative’s house was like drinking clean water for the first time.<\/span><\/p>\n\n\n\n

But getting back in to comics over the last five years has been a godsend for me as a reader and a person, and a big part of why I’ve been able to do that is thanks to being pushed towards Disney comics. The stories and artists that I enjoyed most from Disney were collected in trade paperbacks, which were easier to find than scouring garage sales, conventions, eBay and Craigslist for back issues (though I do that too: I’m looking at you, Gladstone’s Disney comics. See you at FallCon!) When reading the forwards\/making of sections, I could see the where the influence of specific writers and artists that I admired came from, and in turn, who they influenced.
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Add to that my own love for superheroes, an impulse purchase or two, and the recommendations of friends, my collection grew from a Christmas present of \u201cBatman: Year One\u201d and a few \u201cKnights of the Dinner Table\u201d trades (not pictured, as the now 50+ volume collection is current stored in a box), to something that has my shelves bending from the weight. I’ve had more fun going back in to comics than I have with… well, just about anything I’ve done the past few years.<\/span><\/p>\n\n\n\n

I’d like to share the five shelves of books I’ve managed to get a hold of as of 09\/15\/14, with the arrival of the last volumes of “Dragon Ball”, the first four “Knuckles the Echidna Archives”, and the Palmiotti\/Conner run of “Power Girl.”
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\n
\"09-15-14<\/a><\/figure><\/div>\n\n
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\"09-15-14<\/a><\/figure><\/div>\n\n
\n
\"09-15-14<\/a><\/figure><\/div>\n\n
\n
\"09-15-14<\/a><\/figure><\/div>\n\n
\n
\"Are<\/a>
Are you my mummy?<\/figcaption><\/figure><\/div>\n\n\n

Naturally, this doesn’t properly represent the size of the books in question, as they’ve been pushed flush with the edge of the shelf for this post. <\/span><\/p>\n\n\n\n

The disparate sizes in printing for newspaper comics astounds me: “Wednesday Comics” (not pictured above because it doesn’t even fit on the shelf) is my tallest vertical format book, while “Terry and the Pirates by George Wunder Volume One” is the largest horizontal format that I own. The source material being drawn and printed in a different size has a lot to do with it, but it’s just how <\/em>different they are that baffles me. Just take a look:
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\n
\"Vertical<\/a>
Vertical format<\/figcaption><\/figure><\/div>\n\n
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\"Horizontal<\/a>
Horizontal format<\/figcaption><\/figure><\/div>\n\n\n

The oversized editions of comic books, which you can see with the Absolute Edition of “Crisis on Infinite Earths” up above, are generally what I shoot for when I shop. They tend to have the most bonus materials, and allow you to see the detail of the art much more clearly – especially with someone as wonderful as Perez. <\/span><\/p>\n\n\n\n

Incidentally, if you ever need a pick-me up, try and explain the plot to Crisis on Infinite Earths in depth to someone who has never read comics. Just watch their expression and you’ll get a real clear picture about why DC and Marvel have trouble finding new readers… and a good laugh in the process.
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I am probably the bane of publishers when it comes to my shopping habits – bargains, deals and sales are what I shoot for virtually without exception, and since I’m on a budget, Amazon is my go-to for purchases. But if you’re willing to dig and be patient, you can find even better deals in person. I was able to obtain ten volumes of the out of print \u201cThe Spirit Archives” for 15 dollars apiece, so long as I bought them on the spot. It was Eisner’s post-war work and the books were in top-notch condition. How could I say no? (Mostly by ignoring the screams of my wallet)
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But this brings me to a less rhetorical question. I have waited for the Fantagraphics Don Rosa box set before I continue Don Rosa in Review, so things have stalled a bit on that front until its publication. So looking at this collection, do you have a particular thought as to what I should take a look at in the meantime? Kindly leave a comment and let me know, and I’ll make that a priority.<\/span><\/p>\n\n\n\n

And of course, any suggestions as to comics I should pick up are GREATLY appreciated! I know no matter how many comics I read, there will always be more to enjoy, but that’s half the fun.
\n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

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